Showing posts with label Sondheim Award. Show all posts
Showing posts with label Sondheim Award. Show all posts

Sunday, July 22, 2007

Ex Libris Art

One Institution's Discards Are Another Institution's Art

As I was looking at the Sondheim Award Semi-Finalists exhibit in the Decker and Meyerhoff Galleries in the Maryland Institute College of Art's Fox Building, I noticed two pieces that had a connection with my workplace, the Enoch Pratt Free Library. Not just connnected to Pratt Library, but specifically to films discarded from my audio-visual department.

They were two photographs by Lynn Cazabon (pictured below), who is an Assistant Professor of Photography in the Department of Visual Arts at the University of Maryland Baltimore County.


Her photographs gave me a new perspective on something I look at every day without seeing what the artist saw.

DISCARDS (2004) by LYNN CAZABON


DISCARDS 3 (2004) by LYNN CAZABON

I like this one best as it's very abstract and not readily obvious what it is until you get closer. Only then do you see that it's a 16mm film reel, unspooled and arranged to look like - well, to me, a sea cone of some sort. Or a vortex.

Ms. Cazabon also submitted another film reel piece that was not part of the Sondheim Award competition. This is a photograph she entered in a video arts show called Looped: engages in time at the CAS Gallery at the University of Miami in Coral Gables, Florida.



Lynn Cazabon was featured in the May 2006 issue (#23) of The Urbanite, where the editorial staff wrote:
Lynn Cazabon’s artwork is interdisciplinary, utilizing photography, video, film, texts, and objects in her often elaborate installations. Her Baltimore/Marseille project, exhibited at the Creative Alliance in April 2005, was a cross-cultural study of the interface between individuals and technology in these two post-industrial port cities. In her stunningly beautiful Discard series, Cazabon collected deaccessioned films from the Enoch Pratt Library and photographed the unspooled films on light boxes. With this simple act she transforms the celluloid of film into delicately traced patterns that glow mysteriously yet remind us of the material nature of this soon-to-be anachronistic medium.

The Urbanite also featured stills of Cazabon's The Story of M (which looks very similar to Discard 3).

Lynn Cazabon’s website is www.research.umbc.edu/~cazabon.

*** Post-posting update: ***
Lynn Cazabon's "Discard" pieces were also included in the "Wastelands" show at Baltimore's C. Grimaldis Gallery. In his March 12, 2010 review, Baltimore Sun critic Tim Smith wrote:
Lynn Cazabon remembers lost craft in her striking "Discard" pieces, each using for subject matter films tossed out by the Enoch Pratt Free Library. Out of this celluloid refuse, the artist creates painterly photos, the swirls from unfurled reels generating a fresh animation of their own. A close look reveals individual frames of the original film, reminders of an intricate product that can now be thrown away, perhaps having been converted to some coldly digital format first, or simply deemed worthless.

Friday, July 20, 2007

Ceci n'est pas a Booth, Kiosk or Gazebo...

and other Radical Shacks



Performance artist-sculptor Laure Drogoul, winner of the 2006 Julie and Walter Sondheim Prize and founder-director of Maryland Art Place's 14 Karat Cabaret, is curating a show at this year's Artscape that spoofs the arts festival's reputation as being nothing more than "Foodscape," a place for Baltimorons to eat bad food.

Hence we have Ceci n'est pas a Booth, Kiosk or Gazebo and Other Radical Shacks, a play on the title of surrealist painter Rene Magritte's picture of a pipe that he called Ceci n'est pas une Pipe (This Is Not a Pipe).
The point being that, just like Magritte's painted pipe that viewers can't smoke, the booths occupied by the artists in the food court don't sell food, they only look like they do.

Anyway, I came, I saw, I interacted with the art. This kind of thing usually isn't my bag, but I have to admit that everyone was really nice (especially the LEXI MOUNTAIN BOYS, who are in fact lovely ladies) and I really enjoyed Dan Van Allen's TREE HOUSE FOR AN AUTUMN MOON and the video installation and synthesizer sounds provided by SNACKS (Tom Boram and Dan Breen, the later of Trockenis) at their YE OLDE ELECTRO-MATIC SMOOTHIE SHOPPE booth. The Snacks boys also played tubas that generated power to run blenders filled with red and white wine, which they then dispensed to lines of supplicants in a sort of performance art Holy Communion.

OK, enough talk. Here are some photos of the exhibit.


The Entrance Gate
Abandon all hope of real food, ye who enter.


Tim Scofield's kinetic AERIAL SCULPTURE at rest


Fly guy Tim Scofield prepares for takeoff


Tim Scofield getting high as a kite


I've run out of high jokes. But he is. Very.


Tim Scofield gets a rise of out of the audience


Whatever you do, don't look down!


"Fuck! There goes my bus fare!"


Tim demonstrates his World's Highest Yo-Yo Trick.


Tim does his Puppet-on-a-String impression


"And this is how I do the back stroke."


"Here we go Allez-Oops!"


What goes around comes around. (We hope!)


"Clear the landing strip!"


"Damn! My socks don't match."


"Ha! From up here you humans look so puny!"


R.L. Tillman's COTTON SALTY stand


Dan Van Allen's TREE HOUSE FOR AN AUTUMN MOON


TREE HOUSE Close-up


TREEHOUSE extreme full frontal close-up


Girls just wanna have Treehouse fun



TREEHOUSE long shot


Dan enjoys an upskirt view of his TREEHOUSE


Dan Van consults with Dr. Angela about the green slime on his chin


Dan Breen in front of the his Snacks Video Installation

For me, this was the highlight of Artscape 2007, a simple yet clever video that seemed to feature every artist or "scene-maker' in Baltimore.


Odd in Quad: Snacks Videos Loop Mismatched Tops and Bottoms


Snacks: Iron(ic) Chef


Birthday girl Spoon and roomate Uli send a shout out. (Spoon must have gotten a grant because she's drinking Bud instead of Natty Boh.)




The "#$%@!!" Gnome Hut
created by Melissa Webb, M. Jane Taylor & Co.


The "#$%@!!" Gnome Hut Redux


>#$%@!! Gnome Icon


Imus would call these tough-looking gnomes "Nappy-headed"


I'd jump through hoops for this gnome
(the lovely Paige Shuttleworth)



Mama's got a squeeze box


Girls will be LEXI MOUNTAIN BOYS.
Here they are in front of their CLEARAMID.


Related Links:
Ceci n'est pas review in Baltimore Sun
Dan Van Allen (Soweboarts.org)
Snacks Review (City Paper)
Lexi Mountain Boys (MySpace)